Partial proceeds from the Santa Cruz Mountain Art, Wine, and Music Festival, September 5 and 6, 2015 at Garrahan Park in Boulder Creek support the BCE Art Masterpiece program. Proceeds also support San Lorenzo Valley High School’s participation in the Independent Order of Odd Fellows (I.O.O.F) Scholarship fund.
The Art Masterpiece program at Boulder Creek Elementary School is not just about creating art… it’s about “touching the lives of the Art Masters over the past few centuries…” and understanding their art as well as what their influences were.
The program has evolved over the past two decades since its implementation in the mid-1990s with Andrea Burgon at its helm. Mrs. Burgon sought to “bring the Art Masters to the San Lorenzo Valley” so that her four children and their classmates could benefit from the amazing talent in our community. “We have so many incredible artists here, living in this beautiful valley, who want to inspire our youth, let’s provide them with an opportunity.”
The program showcases a variety of “art by The Masters” for each grade level, following a set schedule monthly, so that, ideally, by the end of fifth grade students will have been influenced by not only the Renaissance Art of Brueghel and the Impressionist Art of Cassatt, Renoir and Monet, but also the Surrealism of Miro and Chagall, the passion of Rivera and Kahlo, the Pop Art of Warhol and Thiebaud, even the amazing hanging mobile sculpture by Alexander Calder, which provides a fun way to learn about movement powered only by natural elements.
I have known Andrea since I moved to SLV, twenty years ago. I didn’t know anything about the program though, until my oldest son Max, now 15 and a sophomore at SLVHS, started kindergarten at BCE. Kathy Ritchie was heading the AM program then and asked me to “get on board” and volunteer in the kindergarten class. I never looked back! I took over running the program a few years ago and I’m going to stay as long as they’ll have me!
All the BCE teachers participate. They even do the projects with their class, if they want to, although it’s not required… but they get inspired along with the students.
We begin getting our volunteers at Open House, which is during the first few weeks after school starts. I hold and orientation (about two hours) for the volunteers to fill them in on our program and update them with new artists we might have added in. We have at least one volunteer for each classroom. Usually two or three volunteers will team up for each class and then help each other out, trading off responsibilities: One teaching and one assisting one month and then switching for the next. Most volunteers love it and come back each year for their child’s new class.
Our first art project begins in October, with our last being in May, in time for the Art Show. One project each month, depending on the schedule and desires of the teacher and volunteer(s). Some teachers enjoy having the AM volunteer come in twice a month, and we can certainly accommodate!
Supplies for each project are provided by the Art Masterpiece program, which is fully funded by the BCE Parent Club and past fundraisers. We have watercolor, tempera, chalk pastels, oil pastels, clay, tissue paper, charcoal, a variety of mediums. Our biggest expense is watercolor paper, which is mandatory for some projects. Having good supplies is so necessary, but having enough of the good supplies is also key. We do our best to keep supplies stocked using our $600 annual budget. We also stress using nature and recycling. We bring in tree branches and household items, showing the students that art doesn’t have to be expensive.
Over time though, our paint brushes get rather beat up and our paints always need refurbishing, so any extra money is put towards supplies that will endure several years of students. We were able to purchase new packets this year for each grade and Mary Beth Curley (who has been co-coordinator for the past couple of years), graciously spent the summer refreshing and renewing all our packets for the 2015-16 school year! So exciting!!
The teachers still present a variety of art projects in their classrooms and BCE budgets for Spectre Arts in most classes as well. Mountain Arts also has an after school art class, for a fee, that allows ten or so students, once a week for a month, to do a themed project.
My boys (now 12 and 15) always enjoyed Art Masterpiece throughout their years at BCE. I know they miss it in the older grades! It really has been very inspiring to so many students because they recognize “art.” They know the “masters.” They understand the types of art through the centuries and they are able to see art around them. It gives so many children joy because, although they may not be good at sports or math…. art is subjective and completely their own interpretation, so there is no standard of what is right or wrong or beautiful. It is all up to them, it empowers them.
I hope to keep this program going forever. When will there be a time when it is not important? Art has and will always be an important part of life. I can’t imagine BCE without it. Of course, if we come up against an issue of no funding, I’m not sure what we will do. Probably look to the students to pay for the opportunity to create art. That would be very unfortunate, if it came to that. I know they have already cut the band program back so that just fifth graders have the opportunity to learn an instrument. It used to be fourth and fifth grades. Maybe we will be forced to cut the Art Masterpiece program to only three artists/projects a year or possibly just upper grades… I cannot imagine. As we all know – “earth without art is eh”. That really says it all!
An interview by Julie Horner with vocalist Terry McCants and singer/songwriter David Stockhausen of local Avant Folk band, Spurs. Performing July 19 with Olde Blue and Acoustic Shadows at the Santa Cruz Mountains Makers Market, Mountain Community Resources 6134 Highway 9, Felton, CA.
How did you meet and where?
Terry: David and I met one night in a super artsy scene-y café in Burlington, VT called Radio Bean that hosts local and touring bands. We exchanged courtesies, but then he was quick to share that we’d already met several times before. I was living upstairs from the café with our mutual friend Caroline. Within months he moved in. David would tell you it was a total Three’s Company scene, which is entirely true.
Back then, the only memory of any musical collaboration between us was when I convinced him to pull out his guitar and back me up for a Lucinda Williams song in the living room. I couldn’t play the chords and sing at the same time. He made it look easy.
Are you an actual romantic couple or simply a fabulously dynamic duo?
David: No, we’re more like estranged and reunited siblings.
Terry: David and I have been friends ever since, although there were a few lost years in there. Ironically, we lost touch when he moved to San Francisco. So when I got the phone call that he was moving down to Santa Cruz with his wife, Jade, that was pretty exciting. He wrote a song about that time called “New Scene.” It’s a song that puts you right in the car with everything you own and a dream just outside the window. Some of his songs have a very cinematic quality to them.
What’s cool about living in the Santa Cruz area?
David: The privacy and tranquility of the San Lorenzo Valley helps me write. Not a bad place for a tot either. A great deal of the overdubs and songs for our record, “Til the Sea Meets the Sky,” were recorded in Felton at my place. Not to mention it is where we rehearse almost every week. So the San Lorenzo Valley is certainly a home for Spurs.
Terry: I live in Santa Cruz in the heart of Seabright, which is great. I can bike anywhere and also walk downtown. I don’t own a car. Aside from having affordable rent, a great housemate, and a house with lots of character, I kind of secretly enjoy knowing all the business owners and such in the ‘hood. They’re my neighbors.
What do you love about the Santa Cruz music scene?
Terry: Santa Cruz folk musicians seem very supportive of each other’s endeavors, and it feels like a community. The Do-It-Ourselves Festival in Boulder Creek has played a significant role in this.
How do you get your inspiration?
David: Human relationships have been my muse most consistently. I have political concerns and environmental concerns that find their way into songs too, but usually as an undercurrent or sideline. Mostly, the complexity of humans finding ways to be with or without each other is a constant wellspring of material. Sometimes good fiction begins with the best truths.
Terry: I wake up every day around 6:30 to write. I also do a form of Asian bodywork called Yin Tuina.
David: I’m an avid surfer, writer, and visual artist. And, professionally, I’m a chef so I’ve always got my hands into creating things. Down time for me is playing with my son around Fall Creek or watching the steam engines at Roaring Camp.
What do people take with them from experiencing one of your shows?
Terry: David writes these poetic, introspective lyrics, and the nuances in the music, harmonies included, can be delicate at times.
David: We love it when an audience is prepared to sit and listen and reflect. Like the flicker of a meteor, it requires some attention or it might be missed.
Showcasing Santa Cruz Mountains Wineries and Vineyards
By Julie Horner
Summertime’s simple pleasures are in abundance in the Santa Cruz Mountains. Time stretches long and luxurious, sun drenched days followed by clear starry nights which seem to last forever; shafts of light part morning mists with welcome warmth and the gentle urgency of things to do. Sumptuous tastes appeal: Small plates, fresh bounty from the garden, and hand-crafted wines from local slopes.
Small vineyards tucked into quiet hillsides coax fruit from the vines, most notably Pinot Noir, Chardonnay and Cabernet Sauvignon. More than fifty wineries work their art in the Santa Cruz Mountains and invite the curious to sample. A Sunday drive along any of our sun-dappled mountain byways will take you to the doorstep of earthly sensation and connection to the mountains themselves.
At a recent winemaker’s dinner at Casa Nostra, Ben Lomond’s piping hot spot for well coddled Italian fare, assistant winemaker at Bargetto Winery, Bobby Graviano, spent his 28th birthday introducing enthusiasts to sensational pairings featuring some of the winery’s most popular pours. The 2014 Pinot Grigio, “with hints of bright grapefruit, sweet pear, and apple,” paired with bruschetta verde and crostini rock shrimp with pesto. A 2014 Pinot Noir, “bright and fruit forward with rich cherry, currant, rosemary, and cedar” paired with penne Contadina, onion, mushroom, rosemary, chicken, and tomato in a light cream sauce. Bargetto’s 2012 Merlot reserve, grown in the Santa Cruz Mountains, complimented the filet mignon, potatoes, and green beans “with the aromas of black licorice, cherry, and black currants with a lingering hint of vanilla spice and oak.” And the dark chocolate mousse danced on the tongue with the 2012 Lodi old vine Zin while the birthday song was sung.
Bargetto Winery, located in Soquel, began producing wine in the Santa Cruz Mountains in 1933. Known for estate grown varietals, Pinot Noir, Merlot, Pinot Grigio, and Chardonnay, the flavors rich and intense, the third-generation Bargetto family still lives on the property to carry on the tradition. The oldest winery in Santa Cruz County, the craft itself has been handed down to upcoming young artists, Santa Cruz winemaker Olivia Teutschel, and assistant winemaker, Bobby Graviano, imparting a youthful freshness of spirit to the making.
The tasting room is easy to find on North Main Street nearer to town than expected. Bobby took me on a tour of the cellars where the wine is aged, depending on variety and point in the process, in temperature-controlled stainless steel tanks and 60 gallon barrels made from French, American, and Hungarian oak.
Bobby graduated from the Cal Poly wine and viticulture program and told me that wine making “sounded like a cool major.” His favorite moments in wine making are spent in the cellars and the lab attending to the finer art of the science of it, monitoring the fermentation process, pH, and sugars. He is proud of Bargetto’s four tiers of Pinot, the lightest of all the reds, which grow best in Santa Cruz Mountains cooler climate and “won’t leave you puckered.” He also noted Bargetto’s unique flagship wine, La Vita (“the life” in Italian), which blends three estate grown northern Italian red varietals, Dolcetto, Nebbiolo and Refosco. The bottle label features a different local artist each year with proceeds going to a new charity annually. He says Bargetto is a smaller winery, producing less than 50,000 cases a year, and they bottle on-premises, a unique distinction.
He loves “the great atmosphere and great people” at the winery with live music nights and special events in the tasting room and on the patio overlooking Soquel creek. Locals have been going there for decades. “It’s been around forever. I talk to people my parent’s age and they say, ‘I used to go to that place back in the 70s!’” Some wines are sold only in the tasting rooms, like the Petite Sirah and the blends, which are made in limited quantity. Other specialties, like Chaucer’s fruit wines and honey mead, a traditionally sweet sip that harkens to Medieval England, are available in local markets and nationwide.
Look for Bargetto Winery at The Scotts Valley Art, Wine and Beer Festival at Sky Park on Saturday August 15, 2015.
Santa Cruz Tasting Room
3535 North Main Street
Soquel, CA 95073
(831) 475-2258 ext. 14
Hours: Open Daily 12:00 – 5:00
Monterey Tasting Room
700-G Cannery Row
Monterey, CA 93940
Hours: Sun – Thurs. 11:00 – 6:30
Fri – Sat 11:00 – 7:00
(c) 2015 Julie Horner
Originally written for and published in the Santa Cruz Mountain Bulletin.
Labor Day Weekend – Saturday & Sunday, September 5 & 6 2015
11:00 am to 6:00 pm
Garrahan Park, Hwy 9 Boulder Creek On Facebook
By Julie Horner
Enjoy the last days of summer with family, friends and community at the second annual Santa Cruz Mountain Art, Wine, and Music Festival at Boulder Creek’s Garrahan Park. Showcasing local artists and musicians, the Boulder Creek Brewery and mountain wineries will be pouring. Expect great food and drink, groovin’ times in the sunshine; face painting, a jumpy house and other activities for the kids. More to be announced!
I love working with glass in all its forms – molten glass is probably my favorite. When the glass is heated to molten, it can be manipulated into simple shapes like spheres, cylinders, and barrels. It can also be rolled and pressed and then decorated with more molten glass, or it can be sculpted into complex shapes – like plants and animals.
My inspiration comes from nature. Anyone who sees my glass work would probably say I love the ocean and all its creatures. My torch-worked glass bead creations are often sculpted creatures (sea stars, jellies, turtles, etc.), but I also create mini ocean scenes on my pressed glass beads. I make 3-D aquarium beads that are a bit like swimming in the reef (only smaller).
I also work in fused glass – cutting sheet glass and melting it in a kiln. Some of my plates include Monet-like backgrounds with inlaid copper sea creatures and hand-pulled glass “plants” – creating the illusion of depth. While my Ocean Series plates tend towards the cool colors of blues and greens, my Caribbean Series plates are very bright and colorful. I love working in different color palettes, often pushing myself to try new combinations.
While I love the ocean, I also love the forest. The redwood and oak forests speak to me in birdsong and babbling brooks rather than in crashing waves. I often use the forest solitude to come up with new ideas and directions. Standing beneath the redwoods and looking up can make one feel quite insignificant – a bit like a banana slug.
Originally from Riverside, California, I spent 8 years in Seattle, WA before returning to the Golden State and making Santa Cruz my home. I’ve been here for 15 years and still love it! The majority of my glass work is available at Art of Santa Cruz (inside the Capitola Mall at the Target end) and Monterey Bay Artisans (Monterey). I also have limited work at Beach Girl, Many Hands Gallery, Henry Cowell, Seacliff State Beach, and Santa Cruz Mountains Art Center. I do many shows and festivals in Santa Cruz County, including Open Studios. My studio is also open by appointment.
“Express who you are through embroidery art.” The art of raised stitching can transform ordinary clothing and fabric into stylish personalized expressions of one’s self. Embroidered designs can be frilly, whimsical, edgy, strong, or compelling. While flowers, puppy dogs, and swirly letters have provided decorative flair for shirts, coats, pillow cases, and towels for eons, so much more is possible. In addition to cutesy, stitching can be alarming, disarming, and sublime.
San Lorenzo Valley is full of culture… there is so much to find here. We have Buddhists, we have people who were part of the 60’s culture change, and we have the outdoors and beautiful trees. All of these things are great for inspiration.
I still make everything at my house in Boulder Creek and my family and I show most of what I make at art shows. Originally I started making things I wanted to wear, doing whole jackets and hats that represented my aesthetic. What I create has changed over time, adding some things here and there that, while they may not be what I would wear, I think others might.
I guess one thing about my embroidery is that it reflects different cultures in some way. My inspiration may be from the Pacific Northwest Native American Tribal art, or Norwegian (my ancestry), or Japanese. I know it when I see it and I can’t get it out of my head until I can do something with it.
“It is my hope that viewing my paintings will evoke a sense of peace and fond recognition, by locals and visitors alike.”
Felton Library Watercolor by Carol Riddle
I try to capture the beauty of our local scene, choosing to depict what one might see while visiting Santa Cruz and the surrounding areas. I think my favorite thing is “getting lost” in the painting while creating. That and the “surprises” that the watercolor medium presents. You just have to adjust as you go.
I like landscapes and the out-of-doors. My family went for camping vacations growing up. Our favorite was the Redwoods, so when I got the opportunity, I bought a house among them. I love color. I use color to represent how I feel when visiting the places I paint. Since I am SOOOOO into detail, I take my own photographs on location and paint at home in my Ben Lomond studio. The light changes too fast when I try to paint while I am at the location, and it is never the same the next day. So when I see something which inspires me, I take photos. I don’t try to replicate the photo; I try to paint what I felt while at the site.
My best memories in SLV are of quiet, peace. Home. I volunteer at the Henry Cowell Nature Store at the State Park in Felton. It is run by local volunteers and Mountain Parks Foundation, which supports Henry Cowell and Big Basin through educational programs for the public about how to preserve our heritage. We appreciate all the local support.
Local favorites from the Santa Cruz Mountains, The Naked Bootleggers are reviving the standards of yesterday while writing the standards for tomorrow. Local musicians Don Mackessy (banjo/vocals), Ona Stewart (guitar/vocals), S.T. Young (guitar/harmonica/vocals), James Mackessy (bass/vocals), Jeremy Lampel (mandolin/vocals) span the gap between old time and contemporary music with captivating vocal harmonies, lyrical creativity and that high lonesome sound of old.
We love all the great music that comes through this area, and we really enjoy working together to present our art for people to enjoy, especially if they like to dance, drink and get just rowdy enough to make it pure fun.
The Leftovers are a reggae rock group from the Santa Cruz Mountains, a close group of friends that grew up together in the San Lorenzo Valley. Joey Storm and Sean Conner started the band about three years ago writing songs on the beach in their free time. Slowly adding members Travis Salangsang on drums, David Churchill on keyboard, Brendan Brose on bass guitar, Greg Del Bene on percussion, and female backup vocalists Taylor Rae and Sydney Gorham; the band now consists of seven members.
We play upbeat and fun music by fusing roots-reggae music of the past with popular reggae styles of the present, as well as some rock. Some of our biggest influences include Sublime, Rebelution, The Expendables, Bob Marley and many others.
The goal is to create “feel-good” music that will put smiles on the audience’s face as well as lure them out onto the dance floor to join in on the fun. We love music and are very excited to be able to share our passion. We love playing for the local community because they are so supportive, and because we grew up here we know most everyone!
They say an acoustic shadow can cause sound to be refracted to an unexpected location similar to how light is transformed by mirage. Acoustic Shadows all-original jam band was born deep in the redwoods of the Santa Cruz Mountains.
Infectiously affable, Erik Rozite fronts the band with a signature conviction, that right hand in constant motion driving the rhythm on guitar. Lead guitarist, Zac Clow never breaks a sweat squeezing out the high wail, and Paul Stevens holds down some serious drum beats while “Wygz” William Van Kol keeps it cool and steady on bass. Jim Anderson (booty shakin’ percussion), and Brian Valentine (screamin’ harmonica) fill out the Acoustic Shadows sound, an intoxicating jambalaya of solid rock rhythm and atmospheric groove.
The group has released five CDs professionally recorded at local studios, and they are ever present in the mountains and performing at familiar venues all over the greater Santa Cruz area. The band is eager to share their “cask fermented and high times” Acoustic Shadows vibe!
Hailing from SLV and Santa Cruz, Who’s Holdin’ is a kick ass rock band that’s been around for over a decade creating an energetic, ultra-addictive sound!
Featuring Ian McDonough (vocals, guitar), Matt Harris (guitar, vocals), Troy Tano (horn, vocals, percussion), Morgan Monticue (bass), Zac Farmer (drums), Who’s Holdin’ promises “slammin’ rock, high energy, punk-tinted, groove- laced, thoughtful-fun music for partyin’, playin’, drivin’, downloadin’, home chillin’, layin’ around the pool drinkin’ and just about anything.”
“Our theme is Native American rock centered on musical healing and positive energy. We feel our music is good medicine for the heart, soul, and body.”
Boulder Creek’s Medicine Road formed in 2008 and has been playing steadily ever since. We love every single song we do. How could a band play music just for someone else and not themselves? It’s the same as how can someone love you if you don’t love yourself? We love our music; therefore, we are putting out love in the most peaceful and loving way.
The medicine is the music, which heals the soul, nurtures the body’s need to move in a positive flow, and stimulates the brain to think about the positive change needed to heal ourselves and our planet. When viewing the earth from a distance, we look like ants with our ant hills, living close to each other to advance our ability to survive. Every living thing on this planet is sacred. Every living thing is exactly that, living. If you value life as a huge thing, then all things fall under that huge thing, ALIVE.
Born in the Bay Area and adopted by the Santa Cruz Mountains, this legendary group of players is more than a band; they’ve created their own community attracting generations of people from all over to their shows to groove together. Grampa’s Chili has a long history starting in the 1990s with original members from Old Dead Bug, The Bliss Ninnies, and Soup and they’ve kept a following of fans from the early days known collectively as the “Vibe Tribe.”
The current incarnation of Grampa’s Chili includes Mike Boston (vocals), Victor Manning (guitar, vocals), Jerry Brown (bass, vocals), Tom McQuillen (guitar), Michael Palladino (drums, vocals).
“Songs are like children, you can’t force them to be something they’re not, they’ve got to take their own direction.” The band has been going through a prolific period of writing new songs, and the new material wants to be played.
The Crooked Branches Band plays original music with lyrical influences ranging from soul to roots rock and country. Their songs exhibit a blend of styles from their current home in the Santa Cruz Mountains and former homes in the Midwest, Southern states and Latin America.
The band has two members from San Jose, two from southern California, and one from Illinois. They now all reside in Santa Cruz County (three in the mountains and two in Santa Cruz) and play most shows in the Santa Cruz Mountains.
Band member, Manny Steffen says, “My favorite thing about playing music in this band is that I get to hang out with four of my best friends…our friends, family and others who have come out to our shows have been so great in showing their support. They’re the best part of each of our shows.” The bass player recently got married among the redwoods here, and when they can, they partake in the local hiking and swimming hole action.
Whiskey driven, heartbreak influenced, good time music, Rollin’ Hazard is an original country, alt-country outfit out of the Santa Cruz Mountains.
Including members, O.T. Duvall on 6-string flat top (also the band’s eye candy), Anders ‘Virginia Nasty’ Steele on Telecaster (with attitude), Ebin Lee on Bass, Boss Doss on drums, and the ghost of John Barleycorn as spiritual advisor.