Not So Friendly Skies – SLV Residents Move to Stop Proposed Jet Flightpath

By Mary Andersen

A new flight path has Happy Valley and Los Gatos/Saratoga residents angry and eager to move it to the San Lorenzo Valley. Some claim that, since their homes are worth more than ours, the path should be shifted out of their neighborhoods and onto ours.

SMC_3009_plane_landing.jpg

Photo by Sean McLean

 

We already have a flight path. It’s called BIGSUR, or BSR, and it routes over downtown Santa Cruz, Pasatiempo, west Scotts Valley, north through SLV to the Summit Skyline area, to San Francisco International Airport (SFO). This path is still in use today and supports older aircraft not equipped with satellite navigation.

In March 2015 the FAA, as part of their Next Generation Air Transportation program (NextGen), implemented a new path, called SERFR, which travels from the coast at Capitola, over Happy Valley and Los Gatos summit towards SFO. This path was designed to accommodate a wide range of aircraft with satellite navigation capabilities. SERFR is low, loud, and concentrated. The FAA says they can fix that.

Neighborhoods under SERFR lodged thousands of complaints. With the assistance of Congressman Sam Farr they organized Save Our Skies Santa Cruz and were later joined by Quiet Skies NorCal. They created a proposal for a new flight path, called DAVYJ, over the City of Santa Cruz, SLV, and communities in Santa Clara and San Mateo counties. Keep in mind, this new path would be in addition to the BSR flight path we already have. The proposal was endorsed by Farr and 1st District Supervisor John Leopold.

Community groups from the coast to the airport rejected the Quiet Skies NorCal proposal noting that it eliminated noise for those under SERFR by increasing noise and airplane traffic for communities under the proposed new DAVYJ flight path. In addition, DAVYJ was offered up as the only solution, when in fact other proposals submitted by groups closer to the airport were ignored.

In March, Supervisor Leopold wrote that the proposal constituted a “regional solution” that had been “worked on by all community groups throughout the area.” Congressman Farr stated in his newsletter that he hand-delivered the Quiet Skies NorCal proposal to Michael Huerta, Administrator of the FAA, assuring him that it was “the ideal solution.” Both assertions were false – residents under the proposed DAVYJ flight path in Santa Cruz and SLV were neither informed nor invited to provide input.

In April, Congressional Representatives Anna Eshoo, Jackie Speier, and Sam Farr appointed 12 elected officials (+12 alternates) to a Select Committee on SFO Arrivals. Their charter has been to analyze items labeled “feasible” by the FAA, accept community input, and report to Congress with a set of recommendations.

When the FAA released their study in May, Santa Clara and San Mateo County community groups were frustrated to see that their recommendations were not included. Only suggestions from Quiet Skies NorCal were addressed including the flight path shift to SLV. And the FAA made clear that, while feasible, DAVYJ would be similar to SERFR in its noise impact to SLV. It would be lower, louder, and more concentrated than any flight path we had experienced in the past.

The Select Committee asked why DAVYJ was the only option presented. The FAA said that DAVYJ was the only option offered by Congress. To their credit, the Select Committee is open to other options.

As you might expect, the issue is a political football. In Santa Cruz County SERFR lies primarily in Congressman Farr’s and Supervisor Leopold’s districts. Both SERFR and the proposed DAVYJ are in Supervisor Bruce McPherson’s and Congresswoman Eshoo’s districts. Low flying DAVYJ vectored planes would severely impact Supervisor Ryan Coonerty’s district and the path itself would impact the City of Santa Cruz.

The irony is that the FAA is a $16.4 billion organization with thousands of credentialed aviation experts. Yet, laypeople hoping to remove a flight path from over their homes were allowed to design a new flight path over other communities. That new flight path, DAVYJ, over SLV and Santa Cruz, is currently being vetted by elected officials with limited aviation knowledge, who will then submit recommendations to congressional representatives with even less aviation knowledge, who were misled into believing it was a regional solution when it is not.

Website: www.sanlorenzovalley.info/

Petition: www.change.org/p/faa-stop-the-quiet-skies-norcal-proposal-which-seeks-to-move-an-sfo-flight-path-to-sc-slv-sv

Facebook: www.facebook.com/flightpathfacts/

Join the meetings: flightpathfacts@gmail.com

Additional contributors: George Wylie, Nancy Gerdt, Glenn Lyons, Roz Alley, Alastair Fyfe, Jacqui Rice, Beth Carlisle, Terry Hollenbeck, Thomas Andersen, Colleen Miller, Clifford Stow, Jennifer Parks

This article was originally published in the Santa Cruz Mountain Bulletin  September 2016: http://mountainbulletin.com/article/proposed-flightpath-threatens-the-slv/

The Leftovers – Hashtag: Feelgoodmusic

By Julie Horner

 

Another glorious hot summer day under a bright blue sky, bare feet stompin’ in the cool grass of a mountain meadow. A sea of sun-browned revelers sway as a human tide among blankets colorfully unfurled. Music festival season is in full swing and on stage: The Leftovers, ‘sick’ locally grown Santa Cruz Mountains reggae.

It’s a groove that gets right into your bones. The bass thick and heavy, with steady snare, powerful skank, and the distinctly playful ‘rap rap rap rap’ of the timbale. Everyone’s moving, bobbing to the rhythm and somehow you know every little thing is gonna be alright.

The Leftovers Band Photo #1

Guitar player/vocalist, Sean Conner, told me, “We did the Hop N Barley Festival this year – I love day gigs – it’s a totally different vibe. We play the bars, attract the nighttime partiers. But in the day you get to jam out a little more, interact with the crowd – it’s a different feeling.”

Based in the Santa Cruz Mountains, Sean said, “Some of us went to school together at SLVHS. Back then Sean played in a metal band with drummer, Travis Salangsang.  Now as The Leftovers they have gigs just about every weekend, sometimes twice a week. “The music, it’s so much fun – that’s what started it for us – we didn’t even think of a band.” Then someone said, “Why aren’t you guys playing out?” So they decided to give it a shot. “We all just love playing music so much.”

“We’ve been around for about four years now,” Sean said. He and Joey Storm (guitar/vocals) are the originating members, and they recently added Travis and Andrew Zook (bass), David Churchill (keyboards/vocals), Greg Del Bene (Percussion), and Vince D’Andrea (saxophone/vocal). “Sometimes we have girls singing with us (Taylor Rae and Sydney Gorham), but this is the core.”

Sean said they started off definitely reggae-rock. “Now we’re a lot harder to describe. If I had to pick a genre, I’d say reggae, but at the shows we’re all over the place. One minute we’re playing roots reggae, next we’re doing hip hop reggae.” They’ve started calling it “mountain reggae.” It’s simply “The Leftovers sound.”

“We do about half and half, originals and covers that we rotate through. We totally collaborate on new material.” Sometimes they draw inspiration from shows they go to. He cites Raging Fire as an influence when he saw them at the Catalyst, and after seeing Boostive at Bocce’s Cellar, Sean said “We got back from that show and were just feeling it. We were supposed to be practicing and we wound up just jamming out.” They came up with a trippy instrumental with an eerie groove that they named “Frankenstein.” In the key of F, of course.

The Leftovers have played just about every music venue in Santa Cruz County including Zelda’s (one of Sean’s favorites), Moe’s Alley (always a great spot), the Crow’s Nest, Felton Trout Farm, Henfling’s, Don Quixote’s, and outdoors at Junction Park and the Santa Cruz Mountains Art, Music and Wine Festival, among others. And Joey and Sean do an acoustic guitar set every other Tuesday night at Pono Bar and Grill in Santa Cruz. “It’s sort of a residency there.”

“We’ve done well in Santa Cruz…the music is so popular…people seem to want us back.”

The shows are really well attended. “Zelda’s manager was blown away. First he was shocked, ‘Wow, you guys brought so many people!’” Sean admits, “It was so packed it was crazy…you couldn’t even walk around. You had to dance – dance where you were standing!” So the manager invited them to play regularly once a month. It’s been so packed that now the manager wants them twice a month. “Bar sales were through the roof…he was pumped, we were pumped!” People seem to be seeking the necessary nourishment of positivity…and a guaranteed great time out on the town.

With a stage show that includes their own disco ball and laser light experience, Sean says “It’s been getting better and better, there’s such good energy.”

With day jobs and a blazing performance schedule, they’re also somehow finding time to commit their sound to on-demand media. “We’re really pushing on recording.” They did a self-produced 5-song EP but they really want to get a full length professional album made. They’re working on new material with Henry Chadwick at Indigital studios in Santa Cruz. “We grew up with him so we’re already super connected – it’s really easy to work with him, he’s a super awesome guy and a talented musician in his own band. He has a lot of good ideas – it’s good to have an outside voice who’s been there and done it.”

The Leftovers Band Photo #2.jpg

The Leftovers radiate vibrance and positivity like a breath of fresh air. “We just love the music. If you give someone positive energy, they will give it back – it’s in our nature. That’s our goal with our music is to share the love, that’s what it’s all about.”

Get a taste of The Leftovers at the Santa Cruz Mountains Harvest Festival in Boulder Creek on September 24, and at venues throughout Santa Cruz.

The Leftovers Cali roots reggae: #feelgoodmusic

On Facebook: www.facebook.com/Theleftoversca

Julie Horner is an Irish folk musician and writer living in the Santa Cruz Mountains, California. Email: leap2three@gmail.com | www.leap2three.com

This article was originally published in the Santa Cruz Mountain Bulletin: http://mountainbulletin.com/?issue=august-september-2016

Wild About Theater – Gershwin’s ‘Crazy for You’ Premiers at SLVHS

By Julie Horner

San Lorenzo Valley High School’s Performing Arts Center celebrated its grand opening one year ago this month. The theater, a spanking, high-tech showcase for the cathartic arts, was made possible by Measure O, an $18.9 million bond measure approved in 2008 that authorized the school district to construct, improve, and acquire facilities.

In just a few weeks, San Lorenzo Valley High School Drama presents Gershwin’s Tony Award­ winning Crazy for You in six performances March 4 through March 12 in this sleek, accommodating performance space.

On a decadently bright and warm mid-winter afternoon, I let myself into the cool dark backstage where rehearsal was just getting underway and was met by Crazy for You romantic lead, 16-year old Quinn Becker. We’d met before. He and his family and local Boulder Creek potters, Dan and Laurie Hennig, were featured in the indie movie, Play Faire, by LA’s Teo Guardino, and the community had come out last summer to pack the house for the screening at Park Hall in Ben Lomond.

Guitar in hand, Quinn escorted me to the stage to meet director, Will Guilford, who then introduced me to members of the production team. Set building had just begun: Framework for the Saloon was in place stage right, blue tape marked the places where the limo would pull up stage left. I was invited to imagine a stocked bar and other trappings you’d find in a properly well-heeled early 20th Century landscape.

Set in the 1930s, New York banker and aspiring dancer Bobby Child is sent to Deadrock, Nevada to foreclose on a theater. Instead, he falls in love with the owner’s daughter, Polly, and puts on a show in their failing theater to pay the mortgage and win her heart. Quinn plays Bobby, and the part of Polly is played by Miranda Robinson, also 16.

Packed with non­stop hits written by George and Ira Gershwin, the show explodes with spectacular production numbers, including “Slap That Bass,” “I Can’t Be Bothered Now,” “I Got Rhythm,” and the romantic favorite, “Someone to Watch Over Me.” An ensemble of over 30 singers and dancers is supported by a six-­piece band featuring four SLVHS students directed by Dan Lingenfelter.

After being introduced to a few of the teen actors, some as young as 14; vocal director, Nicki Kerns; student choreographer, Robert Jeffrey; and lighting designer, David Halper, we dispersed, actors to the wings, me to my seat in the auditorium. I was sole observer delighting in an exclusive first glimpse of what promises to be a lush, technically challenging production featuring a very talented cast and production team, awesome sets, great singing and choreography.

A chorus of young voices drifted in harmony from another room, and the Follies Girls with tap shoes on were queued, awaiting their entrance. Director Guilford said, “The beauty of this show to me is introducing tap dancing to these kids – it’s a lost art form.” There will be three big tap numbers for the Follies Girls.

“Five, six, seven, eight, shuffle, hop-step, brush-circle step step,” called 16-year old junior, Robert Jeffry, tap dance choreographer, demonstrating the moves slowly at first and then up to speed, the girls in a line behind him following his every nuance, mostly already memorized. With acting and dancing cred from performing in All About Theater at Louden Nelson Center, Robert lead 12 girls and one guy (our romantic lead, Quinn) through all the razzmatazz they could muster.

After a few run-throughs, Robert had the chorus line run through the routine on their own to Gershwin on the laptop. Dazzling in shorts, leggings and jeans, tapping and twirling in unison, the routine ended on beat and Robert said, “I feel like you guys sounded really happy!” In a final once-more before taking ten, Quinn joined in, performing his role in stride with the chorus girls, singing along with the voice on the recording with confidence, suave to a fault. “Dancing makes my problems all seem tiny,” he sang with a handsome grin and a knowing swagger.

“There’s something about stage, Will said.” He did his thesis on adolescent self-esteem. Kids in his program learn through the art of drama to collaborate, plan, and support each other, building a sense of accomplishment and self-worth. “I get to witness it all the time, from 6th grade on.” He pointed out that most of the cast in Crazy for You have been under his tutelage since middle school.

And there is enough support for the dramatic arts from the district and the community to allow Will the opportunity to direct several productions a year between the middle and high schools. A former varsity baseball coach and girl’s JV soccer, he’s been working for the spiffy new Performing Arts Center for 28 years, he says. He remembers getting on the phone, “Support Measure O!”

In addition to his theater work with SLVUSD, Will runs Hooked on Theater, children’s theater for the San Lorenzo Valley & Santa Cruz County – a real community, tri-campus endeavor for elementary, middle, and high school students that operates year-round. Whether for the high school or for his private company, he tries to keep the teaching “organic,” engaging current and former students to contribute their skills, and all production work is done in-house along with parent volunteers.

Crazy for You features romance, comedy, fist fights, gun fights, dancing, singing, kissing, slapping, and mistaken identity and has its share of awkward moments for teen actors still working through the embarrassing stuff. “They feel uncomfortable kissing someone if it’s not their own girlfriend,” Will said. “I got a quick peck from them last week,” referring to rehearsal with the romantic leads, Quinn and Miranda. Quinn’s real girlfriend is one of the Follies Girls.

Miranda thinks Quinn is great, and agrees that there are moments that “definitely have their challenges.” She’s pretty sure that the show is probably going to be one of her favorites, but she won’t really know until opening night when she’s in it all the way. She, too, is active in All About Theater, and has performed with Children’s Musical Theater San Jose and Cabrillo Stage. “This production is modeled on the Ziegfeld Follies. I want costumes! I want sets! I want beauty! If you’re going to see a show, this is the show,” Will claims enthusiastically. “The cool thing is that the kids are learning to tap, learning about Gershwin. It’s got everything – from 6 to 96, you’re going to dig the show!”

Crazy for You, The New Gershwin Musical at SLVHS PAC
7105 Hwy 9, Felton CA.
March 4, 5, 10, 11, and 12 at 7:00 pm, March 6 at 2:00 pm
Tickets: $10-15

Tickets and more information: tinyurl.com/SLVDramaInfo

Notes From the Director

By Will Guilford

I just wanted to get a shout out to the SLVHS Drama Boosters group for all their support for all of our HS Productions.  One particular member, Susan McKay, is our Costume Mentor who guides a student or two in the Costume Design aspect of the show. The first semester show, MASH she worked closely with Abby Halper who was or Student Costumer and for CFY she has taken Phoebe Cole under her wings. Students Kassidy Gambelin will be in charge of Hair and Jodan Beiden-Charles is our make-up person.
We have over 40 HS Students involved in the production with students learning the ropes backstage and in all technical arenas, as well…sound, lights, stage manage., stage crew, props, spotlights, mics, poster design etc.
As a teacher, director, and producer, I could not be more proud of our kids, the Drama boosters, and the community as this really is a true collaboration.  The SLV community is tight and extremely supportive.  I am so fortunate to have former and current students so involved in this production.
Again, this production is organic…HS students, parents, local merchants supportive by purchasing ads in the program, Robert & Shannon with choreography, Dan as the Band/Choir teacher conducting, Kylan, a legend in local theater as our set designer, technical director, and master carpenter, Nicki as our vocal director (accompanist for Dan’s Choir class), Jacob, our student Poster Designer, and Mollie Whisler and Kylan guiding our Stage MGR. in learning her responsibilities with their extensive background in tech and stage management.
Indeed, it takes a village to put up a show!

Notes From the Author

Hooked on Theater is a privately operated for-profit community project headed by Will Guilford and is not in any way associated with San Lorenzo Valley Unified School District or San Lorenzo Valley High School.

Photos by Donald Kerns

Julie Horner is an Irish folk musician and writer living in the Santa Cruz Mountains, California and performed on stage with Children’s Musical Theater San Jose (formerly SJCMT) in the 1970s. Email: leap2three@gmail.com