On Spirit Wings – Boulder Creek’s Medicine Road

By Julie Horner

Pablo Eagle used to ride his motorcycle through the Santa Cruz Mountains regularly. For some reason one day he took his pickup. It was a beautiful day for riding, warm and dry, with no wind at all. A motorcyclist with a woman on the back passed him. “God, I wish I was on my bike,” he thought, just man and bike riding free. “Suddenly a branch as big as a small tree landed right in front of me.” It was almost like he’d had a spiritual vision. “I look up… It made me think about the drought…I’d seen it coming.” Another motorist stopped to help but wound up mostly watching. “All the adrenaline was in my body, and I just picked the damn thing up – I was holding it like ‘this’ in my arms – and I threw the log. Had I ridden my bike…it spooked me. Now I don’t ride so much.”

medicine2

As singer/songwriter for Boulder Creek based band, Medicine Road, he believes in healing through music. Joined by Dave Kerrey (vocals, drums), Jonathan “Skippy” Sherred (background vocals, bass), and Tom McQuillen (background vocals, lead guitar), Medicine Road “spreads the love of life and healing into the wind so that brother wind will carry the healing tune all over the world.”

Primarily a guitar player and lyricist, Pablo Eagle pays homage to his Yaqui/Mayan roots by adding flute to the Medicine Road sound. “When I picked up the flute, I was amazed I could play it…it was a natural thing.” They decided that the flute was going to rule. He remembers one show, “I was playing notes I didn’t know my flute could play. I was playing through my nose, through my throat, I was flying around…it was an out of body experience. People were coming out of the crannies…I don’t even know where these sounds were coming from. We blew that place away.”

Medicine Road just played the annual Santa Cruz Mountain Art & Wine Festival where he said, “Kids were dancin’, people were listening, and the earth felt happy!”

The music is groovy psychedelic rock jam laced with a haunting Native American sound reminiscent of the music of R. Carlos Nakai. Medicine Road plays mostly original material that is centered on musical healing and positive energy. “We feel our music is good medicine for the heart, soul, and body. Praise for the beauty of nature.” Their song, Earth in the Key of A, is like envisioning a rainforest and bringing everyone into it.

“Our goal is to heal with the music. Through the music and through the lyrics. We put out ideas of the pain of the problem – ‘this’ needs to be fixed.” It becomes a recycling of negative energy, he points out, turning it around into positive and “healing as you go.” “That’s what I do with the music. If we can’t heal ourselves, who can we heal?”

Pablo Eagle has been making music in Boulder Creek forever. He lived in a rented room at the Rainbow’s End back when and remembers asking his landlord, “Are you sure you don’t mind if I play music? She said, ‘I love rock and roll and my husband’s deaf.’” He describes how he wrote, Boulder Creek Mama, a song that has become a Medicine Road anthem: “I wrote it 25 years ago at the Junction before it was a park. There was this beautiful young lady in a bikini…she was about to jump off a rock…I was inspired.” The girl who was Boulder Creek Mama worked at Johnnie’s. He asked her if she wanted to come see his band. She said no. He said, I wrote a song about you. She said she was flattered but that was alright. He said, do you have a boyfriend? She said, yeah, kinda. He never saw her again but the song lives on. “We always end our shows with it because it drives everyone crazy, gets people dancing.”

His grandfather used to sun dance and sing to the sun. Now Pablo Eagle and Medicine Road are part of Native American Heritage festivities at Foothill College. “I will always stand up for Native people. We just got Obama to call off the Keystone project. Now there’s the Dakota pipeline.” He feels he has an obligation to Native peoples…to stand up against those who are “always messing with indigenous people.” He has strong opinions about cutting down our redwoods trees too. “Everything is a catch-22. If it’s alive, it has a positive and a negative aspect…and there’s the grey area where we’re trying to bring people to the positive side.” He wants to give people a positive example through his music.

“In Native American heritage, you have two types of people: Those who follow the red road, and those who follow the black road of negative extremes. Red road people have positive energy, they’re not putting people down, they’re building things. We want to help he people in the grey area. Medicine Road is the healing road.”

“I’ve been Medicine Road for a long time. I want to do it ‘til I die. We’re still a young band…we’ve reared our head around…we’re ready to take off. Our smoke signals are out there.”

On the Web: https://www.reverbnation.com/medicineroad

On Facebook: https://www.facebook.com/medicine.road.band/

This article was originally published in the Santa Cruz Mountain Bulletin: http://mountainbulletin.com/article/on-spirit-wings-medicine-road/

Julie Horner is an Irish style musician and writer living in the Santa Cruz Mountains, CA. https://www.facebook.com/CrookedRoadCeiliBand/

Not So Friendly Skies – SLV Residents Move to Stop Proposed Jet Flightpath

By Mary Andersen

A new flight path has Happy Valley and Los Gatos/Saratoga residents angry and eager to move it to the San Lorenzo Valley. Some claim that, since their homes are worth more than ours, the path should be shifted out of their neighborhoods and onto ours.

SMC_3009_plane_landing.jpg

Photo by Sean McLean

 

We already have a flight path. It’s called BIGSUR, or BSR, and it routes over downtown Santa Cruz, Pasatiempo, west Scotts Valley, north through SLV to the Summit Skyline area, to San Francisco International Airport (SFO). This path is still in use today and supports older aircraft not equipped with satellite navigation.

In March 2015 the FAA, as part of their Next Generation Air Transportation program (NextGen), implemented a new path, called SERFR, which travels from the coast at Capitola, over Happy Valley and Los Gatos summit towards SFO. This path was designed to accommodate a wide range of aircraft with satellite navigation capabilities. SERFR is low, loud, and concentrated. The FAA says they can fix that.

Neighborhoods under SERFR lodged thousands of complaints. With the assistance of Congressman Sam Farr they organized Save Our Skies Santa Cruz and were later joined by Quiet Skies NorCal. They created a proposal for a new flight path, called DAVYJ, over the City of Santa Cruz, SLV, and communities in Santa Clara and San Mateo counties. Keep in mind, this new path would be in addition to the BSR flight path we already have. The proposal was endorsed by Farr and 1st District Supervisor John Leopold.

Community groups from the coast to the airport rejected the Quiet Skies NorCal proposal noting that it eliminated noise for those under SERFR by increasing noise and airplane traffic for communities under the proposed new DAVYJ flight path. In addition, DAVYJ was offered up as the only solution, when in fact other proposals submitted by groups closer to the airport were ignored.

In March, Supervisor Leopold wrote that the proposal constituted a “regional solution” that had been “worked on by all community groups throughout the area.” Congressman Farr stated in his newsletter that he hand-delivered the Quiet Skies NorCal proposal to Michael Huerta, Administrator of the FAA, assuring him that it was “the ideal solution.” Both assertions were false – residents under the proposed DAVYJ flight path in Santa Cruz and SLV were neither informed nor invited to provide input.

In April, Congressional Representatives Anna Eshoo, Jackie Speier, and Sam Farr appointed 12 elected officials (+12 alternates) to a Select Committee on SFO Arrivals. Their charter has been to analyze items labeled “feasible” by the FAA, accept community input, and report to Congress with a set of recommendations.

When the FAA released their study in May, Santa Clara and San Mateo County community groups were frustrated to see that their recommendations were not included. Only suggestions from Quiet Skies NorCal were addressed including the flight path shift to SLV. And the FAA made clear that, while feasible, DAVYJ would be similar to SERFR in its noise impact to SLV. It would be lower, louder, and more concentrated than any flight path we had experienced in the past.

The Select Committee asked why DAVYJ was the only option presented. The FAA said that DAVYJ was the only option offered by Congress. To their credit, the Select Committee is open to other options.

As you might expect, the issue is a political football. In Santa Cruz County SERFR lies primarily in Congressman Farr’s and Supervisor Leopold’s districts. Both SERFR and the proposed DAVYJ are in Supervisor Bruce McPherson’s and Congresswoman Eshoo’s districts. Low flying DAVYJ vectored planes would severely impact Supervisor Ryan Coonerty’s district and the path itself would impact the City of Santa Cruz.

The irony is that the FAA is a $16.4 billion organization with thousands of credentialed aviation experts. Yet, laypeople hoping to remove a flight path from over their homes were allowed to design a new flight path over other communities. That new flight path, DAVYJ, over SLV and Santa Cruz, is currently being vetted by elected officials with limited aviation knowledge, who will then submit recommendations to congressional representatives with even less aviation knowledge, who were misled into believing it was a regional solution when it is not.

Website: www.sanlorenzovalley.info/

Petition: www.change.org/p/faa-stop-the-quiet-skies-norcal-proposal-which-seeks-to-move-an-sfo-flight-path-to-sc-slv-sv

Facebook: www.facebook.com/flightpathfacts/

Join the meetings: flightpathfacts@gmail.com

Additional contributors: George Wylie, Nancy Gerdt, Glenn Lyons, Roz Alley, Alastair Fyfe, Jacqui Rice, Beth Carlisle, Terry Hollenbeck, Thomas Andersen, Colleen Miller, Clifford Stow, Jennifer Parks

This article was originally published in the Santa Cruz Mountain Bulletin  September 2016: http://mountainbulletin.com/article/proposed-flightpath-threatens-the-slv/

Raffle and Fundraiser for Yvonne and Kelly McGuire – Restaurant Business Owners at the Felton Trout Farm

front_page

FELTON TROUT FARM DEVASTATED BY FIRE!

http://mountainbulletin.com/article/trout-farm-devastated-by-fire/

Purchase a raffle ticket to support the McGuires as they rebuild their restaurant business after the fire that destroyed the Trout Farm and the McGuire’s livelihood. Win one of the following grand prizes:

View the fundraiser flyer: http://mountainbulletin.com/event/2016-07-27_the-trout-farm-family-raffle-fundraiser-event/

Beloved Felton Trout Farm Inn Burns

Santa Cruz Mountain Bulletin

June 10, 2016

by Julie Horner

While many of us were reveling in the music and magic at the annual Redwood Mountain Faire on Sunday, June 5, the much loved Felton Trout Farm Inn suffered a devastating fire just two miles away. The fire started in the vent above the kitchen’s grill around 2:20 in the afternoon. Cooks, wait staff, and owner, Kelly McGuire helped safely evacuate patrons enjoying lunch and using the pool as responders from Zayante, Ben Lomond, Felton and Scotts Valley fire departments arrived to battle the blaze. This tight-knit mountain community and all of San
Lorenzo Valley has lost another precious local landmark and social hub.

Within a few minutes of initial news, friends and neighbors were sharing posts on Facebook: “What a terrible, terrible day. Our favorite place has burned down. We are told everyone is okay, which is the most important thing. But now knowing that everyone is safe, we can grieve for our loss, The Trout Farm. We love the Trout Farm and all of the people there. Kelly McGuire and Yvonne McGuire we love you, and will do whatever we can to help you rebuild.”

“We just went there yesterday to play in the pool. I really hope that it can be rebuilt. What a horrible loss to the community. Please keep the group posted about fund raisers.”

“I’m in tears, the McGuire family have worked hard to make The Trout Farm a special place to enjoy the history and the great food and dance bands. We had our wedding reception there and it was a ball! Kelly, Yvonne, Mandy, Luis and the rest of the crew…we will be praying for all of you and the future of The Trout Farm…that this all comes out in the best way.”

“Utterly devastating…so sad. Yvonne, Kelly and the whole team family were so warm and really built a community destination. I’ll miss it terribly but have faith that Trout will rise like a Phoenix. I’ll follow along and be there when the cause calls for lending a hand.”

“I was there with my wife and two kids at the pool on Saturday. We would’ve been there on Sunday too but for the Redwood Mountain Faire. We are all shocked and deeply saddened by this tragedy.”

According to reports, McGuire had been standing at the bar just feet from the kitchen when the fire broke out and the interior quickly filled with smoke. Firefighters responded within five minutes but the dry old bones of the structure
rapidly became engulfed.

“The firefighters did everything they could,” McGuire said in a statement to Santa Cruz Sentinel reporter, Ryan Masters. “They could have been parked out front and it wouldn’t have made a difference. That’s how fast it went up.”

The original bar and gaming room was built across Zayante Creek on land that once housed a trout hatchery. In Ed Jasmin’s Web archive, The History of the Trout Farm Inn, he writes, “In 1942 the bar was moved to its current location and Bill Fischer and his mother purchased it in 1946 from Austin and Jackie Berry. In 1955 he began a small dining room where one could get a steak, trout or chicken dinner for $1.95 while ‘Ma’ Fischer managed the trout ponds. The lounge was later extended in 1956 and 1958. The Trout Farm in the 40’s and 50’s served as an Inn providing overnight accommodations located where the swimming pool now lies.”

The cabins were moved to locations along the creek as permanent residences so that the pool could be modernized to accommodate growing numbers of tourists. “Several owners followed Bill and his partner Bob. In early 2005, the stewardship of this landmark passed to Penny Siler and John Heibel.” The McGuires took ownership of the Trout Farm Inn in 2012 offering a full bar and restaurant, live music performance space and of course, the inviting family pool.

The building was declared a total loss by Troy Adams, Zayante Fire District
Battalion Chief.

Facebook posts continue to accumulate in support:

“My first job was washing dishes at the TF in 1975 … working for Bill and Bob was a wild introduction to the food industry. I’m sorry for your loss … we’ll stay tuned as we vacation every Summer in Ben Lomond. Thoughts and prayers!!!” “I’m so sad to hear this but glad everyone us safe. I grew up at the Trout Farm Inn, knew Ma Fisher, Bill Fisher, Bob. Had my first job there at the pool and worked as a waitress for several years back in the early 70’s. My mom was a hostess. Lots of great memories. I’m heartbroken. We just watched old videos of swimming in the pool when my brother and I were young.”

“My grandmother, Bernice Fischer, started the Trout Farm in the mid 1930’s. My dad, Bill Fischer, owned it for 50 years, selling it in the mid 80’s. We moved the cabins to the creekside (from the current location of the pool), built the pool, expanded the bar and dining room, had luaus, floated Christmas trees in the pool and never missed the Friday night fights on TV in the bar during the 50’s. So much history – another chapter in life, closed. I pray for the owners to get through this tragedy, and extend my condolences to you!!! Thank you ALL for caring about the property, the business, and the historical landmark that it became. God give you strength, hope, and new vision. Sincerely, Cheryl and Francis Busa – Montana”

From all of us at the Santa Cruz Mountain Bulletin, huge condolences and much support. We will post updates about fundraisers and rebuilding efforts as we get them.

More about the Trout Farm: http://edjasmin.com/assets/Pages/8-Web/websites/thetroutfarminn/assets/pages/history.htm

On Facebook:

www.facebook.com/troutfarminn

www.facebook.com/feltontroutfarmfamily

To read Kelly and Yvonne McGuire’s first communication to the public and other comments from the public regarding this huge loss to our community, read this month’s From the Mail Bag.

#FeltonTroutFarmInn

trout_farm_fundraiser

Heathen Hill – American Roots Music

By Julie Horner

The Memorial Day weekend weather was perfect. Burgers and bacon on the grill, Richard Thompson on the iPod, a cold brew in hand, and the happy din of laughter and live music drifting through the forest and among the tents and tapestries as another day of magic at Strawberry Music Festival transcended the twilight between sunny lounging on the green and the communal energy of all-night acoustic jams. I was sharing the vibe (and a mean plate of tasty BBQ) with San Lorenzo Valley’s Americana/Bluegrass “house band,” Heathen Hill.

“We originated as people who jammed together at Strawberry,” my host and Heathen Hill singer/songwriter, Mark Becker, told me. “We’ve been an evolving band over the years,” with an impressive roster of musicians. The core of the band, Mark (guitar, vocals), Rick Ednie (guitar, vocals), and Jeff Hayes (standup bass, vocals), all Santa Cruz Mountain dwellers, have been playing together for years, starting out at the Strawberry Music Festival at Camp Mather setting up camp year after year on a knoll they named, “Heathen Hill.”

Known around the valley for hosting Sunday Bluegrass jams at the Boulder Creek Brewery, and lately playing 4th Fridays at the Felton Trout Farm, their first big performance together was at The ShobeFest acoustic music festival in Santa Barbara. Familiar faces at the Brookdale Bluegrass Festival, the original foursome kicked off with Mark, Rick, Jeff, and Dave Kaufman on mandolin. “Dave contributed his originals to our covers before he moved to San Francisco…he could jump in on the guitar, banjo, and piano in addition to mandolin,” Mark said. “Since the Brewery burned down, we ended up ultimately going into our current configuration.”  Randy “Rando Mando” Hudson recently joined the group with his lightning fast fingers.

Mark and crew travel in a wider family of esteemed musical company, so much so that several of the Heathen Hill Americana/Bluegrass bandies also have a hand in Homebrew Jam, a new local Americana/Folk outfit. “We play with so many talented folks, it was better to put different styles into two different bands.” Homebrew Jam was one of the last bands to play at the Trout Farm, on a sweltering first Friday in June, filling the room to the rafters with lively toe-tapping down-home music. A fine sendoff, indeed, as the Trout Farm succumbed to fire two days later.

Heathen Hill plays with a warm, welcoming upbeat energy. “It’s part of what we like to do – we started at the Strawberry Festival with the idea of having fun, lending that festival feel to create a good atmosphere.”

Heathen Hill is gaining momentum in the mountains. “Most folks like our sound. We have a good following and we get people out to come see us. We’re happy to be local.” This year they were invited to play at the Redwood Mountain Faire, sharing a stage with legendary performers such as Harpin’ Johnny and Larry Hosford.

Mark said, “After the ShobeFest there was talk about getting us into shows in LA and into the studio in Santa Barbara to record a CD…no way we could do that with our day jobs and family. Sounds exciting but it doesn’t offset the money you’d make at your regular job.” While a locally produced CD is certainly being considered, he says it’s rewarding to play just for the success of improving, working on new material, and being with good people. “The real payback is the camaraderie and having people really enjoying themselves when you’re playing for them.”

Heathen Hill plays a mix of original and cover songs in the Americana style with a progressive Bluegrass edge. Powerhouse singer/songwriter, Rick Ednie, contributes much of the original material. “Rick has his solo album [White Turtle Dove] and we do a lot of his material.” With his roots in Rock, Mark wrote “Work” and “We’re Flying on the Wind,” “Keep on Dancing,” and “The Hot Tub Song,” among others, in the Americana vein with catchy choruses, almost a Country feel. “I try to run the gamut, mix it up quite a bit.”

An evening with Heathen Hill promises good times and good sounds. “We like to throw in a Dead song or two.”

Heathen Hill plays at LuLu Carpenter’s in Santa Cruz about once a month, and Mark says they’re hoping to become regulars at the Summit House up on Highway 17. “We had the great treat and good fortune to be invited to play at Redwood Mountain Faire…maybe in the future we’ll be asked to play at Roaring Camp.”

“All I can say is my heart just aches for the folks at the Trout Farm, the staff, the whole family working there. It is an oddity that a couple of places that we’ve played at have burned down. I’m hoping they’ll be able to get back on their feet quickly.”

“We live and play in the Santa Cruz Mountains. Performing is our way of generating and sharing festival energy all year long.”

On the Web: heathenhillmusic.com

On Facebook: www.facebook.com/HeathenHillMusic

heathen1

Julie Horner is a writer and Irish style musician living in the Santa Cruz Mountains, CA. This story was originally published in the Santa Cruz Mountain Bulletin, June 2016: http://mountainbulletin.com/article/heathen-hill-american-roots-music/