A new flight path has Happy Valley and Los Gatos/Saratoga residents angry and eager to move it to the San Lorenzo Valley. Some claim that, since their homes are worth more than ours, the path should be shifted out of their neighborhoods and onto ours.
Photo by Sean McLean
We already have a flight path. It’s called BIGSUR, or BSR, and it routes over downtown Santa Cruz, Pasatiempo, west Scotts Valley, north through SLV to the Summit Skyline area, to San Francisco International Airport (SFO). This path is still in use today and supports older aircraft not equipped with satellite navigation.
In March 2015 the FAA, as part of their Next Generation Air Transportation program (NextGen), implemented a new path, called SERFR, which travels from the coast at Capitola, over Happy Valley and Los Gatos summit towards SFO. This path was designed to accommodate a wide range of aircraft with satellite navigation capabilities. SERFR is low, loud, and concentrated. The FAA says they can fix that.
Neighborhoods under SERFR lodged thousands of complaints. With the assistance of Congressman Sam Farr they organized Save Our Skies Santa Cruz and were later joined by Quiet Skies NorCal. They created a proposal for a new flight path, called DAVYJ, over the City of Santa Cruz, SLV, and communities in Santa Clara and San Mateo counties. Keep in mind, this new path would be in addition to the BSR flight path we already have. The proposal was endorsed by Farr and 1st District Supervisor John Leopold.
Community groups from the coast to the airport rejected the Quiet Skies NorCal proposal noting that it eliminated noise for those under SERFR by increasing noise and airplane traffic for communities under the proposed new DAVYJ flight path. In addition, DAVYJ was offered up as the only solution, when in fact other proposals submitted by groups closer to the airport were ignored.
In March, Supervisor Leopold wrote that the proposal constituted a “regional solution” that had been “worked on by all community groups throughout the area.” Congressman Farr stated in his newsletter that he hand-delivered the Quiet Skies NorCal proposal to Michael Huerta, Administrator of the FAA, assuring him that it was “the ideal solution.” Both assertions were false – residents under the proposed DAVYJ flight path in Santa Cruz and SLV were neither informed nor invited to provide input.
In April, Congressional Representatives Anna Eshoo, Jackie Speier, and Sam Farr appointed 12 elected officials (+12 alternates) to a Select Committee on SFO Arrivals. Their charter has been to analyze items labeled “feasible” by the FAA, accept community input, and report to Congress with a set of recommendations.
When the FAA released their study in May, Santa Clara and San Mateo County community groups were frustrated to see that their recommendations were not included. Only suggestions from Quiet Skies NorCal were addressed including the flight path shift to SLV. And the FAA made clear that, while feasible, DAVYJ would be similar to SERFR in its noise impact to SLV. It would be lower, louder, and more concentrated than any flight path we had experienced in the past.
The Select Committee asked why DAVYJ was the only option presented. The FAA said that DAVYJ was the only option offered by Congress. To their credit, the Select Committee is open to other options.
As you might expect, the issue is a political football. In Santa Cruz County SERFR lies primarily in Congressman Farr’s and Supervisor Leopold’s districts. Both SERFR and the proposed DAVYJ are in Supervisor Bruce McPherson’s and Congresswoman Eshoo’s districts. Low flying DAVYJ vectored planes would severely impact Supervisor Ryan Coonerty’s district and the path itself would impact the City of Santa Cruz.
The irony is that the FAA is a $16.4 billion organization with thousands of credentialed aviation experts. Yet, laypeople hoping to remove a flight path from over their homes were allowed to design a new flight path over other communities. That new flight path, DAVYJ, over SLV and Santa Cruz, is currently being vetted by elected officials with limited aviation knowledge, who will then submit recommendations to congressional representatives with even less aviation knowledge, who were misled into believing it was a regional solution when it is not.
Labor Day Weekend – Saturday & Sunday, September 5 & 6 2015
11:00 am to 6:00 pm
Garrahan Park, Hwy 9 Boulder Creek On Facebook
By Julie Horner
Enjoy the last days of summer with family, friends and community at the second annual Santa Cruz Mountain Art, Wine, and Music Festival at Boulder Creek’s Garrahan Park. Showcasing local artists and musicians, the Boulder Creek Brewery and mountain wineries will be pouring. Expect great food and drink, groovin’ times in the sunshine; face painting, a jumpy house and other activities for the kids. More to be announced!
I love working with glass in all its forms – molten glass is probably my favorite. When the glass is heated to molten, it can be manipulated into simple shapes like spheres, cylinders, and barrels. It can also be rolled and pressed and then decorated with more molten glass, or it can be sculpted into complex shapes – like plants and animals.
My inspiration comes from nature. Anyone who sees my glass work would probably say I love the ocean and all its creatures. My torch-worked glass bead creations are often sculpted creatures (sea stars, jellies, turtles, etc.), but I also create mini ocean scenes on my pressed glass beads. I make 3-D aquarium beads that are a bit like swimming in the reef (only smaller).
I also work in fused glass – cutting sheet glass and melting it in a kiln. Some of my plates include Monet-like backgrounds with inlaid copper sea creatures and hand-pulled glass “plants” – creating the illusion of depth. While my Ocean Series plates tend towards the cool colors of blues and greens, my Caribbean Series plates are very bright and colorful. I love working in different color palettes, often pushing myself to try new combinations.
While I love the ocean, I also love the forest. The redwood and oak forests speak to me in birdsong and babbling brooks rather than in crashing waves. I often use the forest solitude to come up with new ideas and directions. Standing beneath the redwoods and looking up can make one feel quite insignificant – a bit like a banana slug.
Originally from Riverside, California, I spent 8 years in Seattle, WA before returning to the Golden State and making Santa Cruz my home. I’ve been here for 15 years and still love it! The majority of my glass work is available at Art of Santa Cruz (inside the Capitola Mall at the Target end) and Monterey Bay Artisans (Monterey). I also have limited work at Beach Girl, Many Hands Gallery, Henry Cowell, Seacliff State Beach, and Santa Cruz Mountains Art Center. I do many shows and festivals in Santa Cruz County, including Open Studios. My studio is also open by appointment.
“Express who you are through embroidery art.” The art of raised stitching can transform ordinary clothing and fabric into stylish personalized expressions of one’s self. Embroidered designs can be frilly, whimsical, edgy, strong, or compelling. While flowers, puppy dogs, and swirly letters have provided decorative flair for shirts, coats, pillow cases, and towels for eons, so much more is possible. In addition to cutesy, stitching can be alarming, disarming, and sublime.
San Lorenzo Valley is full of culture… there is so much to find here. We have Buddhists, we have people who were part of the 60’s culture change, and we have the outdoors and beautiful trees. All of these things are great for inspiration.
I still make everything at my house in Boulder Creek and my family and I show most of what I make at art shows. Originally I started making things I wanted to wear, doing whole jackets and hats that represented my aesthetic. What I create has changed over time, adding some things here and there that, while they may not be what I would wear, I think others might.
I guess one thing about my embroidery is that it reflects different cultures in some way. My inspiration may be from the Pacific Northwest Native American Tribal art, or Norwegian (my ancestry), or Japanese. I know it when I see it and I can’t get it out of my head until I can do something with it.
“It is my hope that viewing my paintings will evoke a sense of peace and fond recognition, by locals and visitors alike.”
Felton Library Watercolor by Carol Riddle
I try to capture the beauty of our local scene, choosing to depict what one might see while visiting Santa Cruz and the surrounding areas. I think my favorite thing is “getting lost” in the painting while creating. That and the “surprises” that the watercolor medium presents. You just have to adjust as you go.
I like landscapes and the out-of-doors. My family went for camping vacations growing up. Our favorite was the Redwoods, so when I got the opportunity, I bought a house among them. I love color. I use color to represent how I feel when visiting the places I paint. Since I am SOOOOO into detail, I take my own photographs on location and paint at home in my Ben Lomond studio. The light changes too fast when I try to paint while I am at the location, and it is never the same the next day. So when I see something which inspires me, I take photos. I don’t try to replicate the photo; I try to paint what I felt while at the site.
My best memories in SLV are of quiet, peace. Home. I volunteer at the Henry Cowell Nature Store at the State Park in Felton. It is run by local volunteers and Mountain Parks Foundation, which supports Henry Cowell and Big Basin through educational programs for the public about how to preserve our heritage. We appreciate all the local support.
Local favorites from the Santa Cruz Mountains, The Naked Bootleggers are reviving the standards of yesterday while writing the standards for tomorrow. Local musicians Don Mackessy (banjo/vocals), Ona Stewart (guitar/vocals), S.T. Young (guitar/harmonica/vocals), James Mackessy (bass/vocals), Jeremy Lampel (mandolin/vocals) span the gap between old time and contemporary music with captivating vocal harmonies, lyrical creativity and that high lonesome sound of old.
We love all the great music that comes through this area, and we really enjoy working together to present our art for people to enjoy, especially if they like to dance, drink and get just rowdy enough to make it pure fun.
The Leftovers are a reggae rock group from the Santa Cruz Mountains, a close group of friends that grew up together in the San Lorenzo Valley. Joey Storm and Sean Conner started the band about three years ago writing songs on the beach in their free time. Slowly adding members Travis Salangsang on drums, David Churchill on keyboard, Brendan Brose on bass guitar, Greg Del Bene on percussion, and female backup vocalists Taylor Rae and Sydney Gorham; the band now consists of seven members.
We play upbeat and fun music by fusing roots-reggae music of the past with popular reggae styles of the present, as well as some rock. Some of our biggest influences include Sublime, Rebelution, The Expendables, Bob Marley and many others.
The goal is to create “feel-good” music that will put smiles on the audience’s face as well as lure them out onto the dance floor to join in on the fun. We love music and are very excited to be able to share our passion. We love playing for the local community because they are so supportive, and because we grew up here we know most everyone!
They say an acoustic shadow can cause sound to be refracted to an unexpected location similar to how light is transformed by mirage. Acoustic Shadows all-original jam band was born deep in the redwoods of the Santa Cruz Mountains.
Infectiously affable, Erik Rozite fronts the band with a signature conviction, that right hand in constant motion driving the rhythm on guitar. Lead guitarist, Zac Clow never breaks a sweat squeezing out the high wail, and Paul Stevens holds down some serious drum beats while “Wygz” William Van Kol keeps it cool and steady on bass. Jim Anderson (booty shakin’ percussion), and Brian Valentine (screamin’ harmonica) fill out the Acoustic Shadows sound, an intoxicating jambalaya of solid rock rhythm and atmospheric groove.
The group has released five CDs professionally recorded at local studios, and they are ever present in the mountains and performing at familiar venues all over the greater Santa Cruz area. The band is eager to share their “cask fermented and high times” Acoustic Shadows vibe!
Hailing from SLV and Santa Cruz, Who’s Holdin’ is a kick ass rock band that’s been around for over a decade creating an energetic, ultra-addictive sound!
Featuring Ian McDonough (vocals, guitar), Matt Harris (guitar, vocals), Troy Tano (horn, vocals, percussion), Morgan Monticue (bass), Zac Farmer (drums), Who’s Holdin’ promises “slammin’ rock, high energy, punk-tinted, groove- laced, thoughtful-fun music for partyin’, playin’, drivin’, downloadin’, home chillin’, layin’ around the pool drinkin’ and just about anything.”
“Our theme is Native American rock centered on musical healing and positive energy. We feel our music is good medicine for the heart, soul, and body.”
Boulder Creek’s Medicine Road formed in 2008 and has been playing steadily ever since. We love every single song we do. How could a band play music just for someone else and not themselves? It’s the same as how can someone love you if you don’t love yourself? We love our music; therefore, we are putting out love in the most peaceful and loving way.
The medicine is the music, which heals the soul, nurtures the body’s need to move in a positive flow, and stimulates the brain to think about the positive change needed to heal ourselves and our planet. When viewing the earth from a distance, we look like ants with our ant hills, living close to each other to advance our ability to survive. Every living thing on this planet is sacred. Every living thing is exactly that, living. If you value life as a huge thing, then all things fall under that huge thing, ALIVE.
Born in the Bay Area and adopted by the Santa Cruz Mountains, this legendary group of players is more than a band; they’ve created their own community attracting generations of people from all over to their shows to groove together. Grampa’s Chili has a long history starting in the 1990s with original members from Old Dead Bug, The Bliss Ninnies, and Soup and they’ve kept a following of fans from the early days known collectively as the “Vibe Tribe.”
The current incarnation of Grampa’s Chili includes Mike Boston (vocals), Victor Manning (guitar, vocals), Jerry Brown (bass, vocals), Tom McQuillen (guitar), Michael Palladino (drums, vocals).
“Songs are like children, you can’t force them to be something they’re not, they’ve got to take their own direction.” The band has been going through a prolific period of writing new songs, and the new material wants to be played.
The Crooked Branches Band plays original music with lyrical influences ranging from soul to roots rock and country. Their songs exhibit a blend of styles from their current home in the Santa Cruz Mountains and former homes in the Midwest, Southern states and Latin America.
The band has two members from San Jose, two from southern California, and one from Illinois. They now all reside in Santa Cruz County (three in the mountains and two in Santa Cruz) and play most shows in the Santa Cruz Mountains.
Band member, Manny Steffen says, “My favorite thing about playing music in this band is that I get to hang out with four of my best friends…our friends, family and others who have come out to our shows have been so great in showing their support. They’re the best part of each of our shows.” The bass player recently got married among the redwoods here, and when they can, they partake in the local hiking and swimming hole action.
Whiskey driven, heartbreak influenced, good time music, Rollin’ Hazard is an original country, alt-country outfit out of the Santa Cruz Mountains.
Including members, O.T. Duvall on 6-string flat top (also the band’s eye candy), Anders ‘Virginia Nasty’ Steele on Telecaster (with attitude), Ebin Lee on Bass, Boss Doss on drums, and the ghost of John Barleycorn as spiritual advisor.
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